Saturday, November 20, 2010

Cellular Respiration Reptile Vs Mammal 22 Deg

Ingenga of Tampax - Autographs on breasts


(photo: three activists who try un'icenption 3 level with web-cam in the city council, on behalf of the movement 5 stars)

I have nothing against those who piss in trying to roll the slope of shit dogs from the bottom, shit stiffened by isobaric ambitions and partly by Fazio. I have nothing against those who can not fuck with the Barre, jackets fitted with a phallus erect to 3 strings.

I have nothing against the movement to 5 stars, or against those who maximizes the company citing the comments of Gialappas.

I have nothing against those who scours the bottom of the tip of the penis because bagnichimici Sebach thee fell a gram of methamphetamine during the live dell'intellettualissima Taranta master Sparagna. With the balls to soak in the urine of a concert that packed the stadium Santiago, Chile during the Pinochet coup. Nothing Nothing.

I have nothing against those who have the highest regard and Provvisionato Earth on Mediaset. Or against the teaching assistants that feeling the feces of a graduate, stationed in the processes of Liuss.

I have nothing against those who assist interceptors in a future post-atomic with Mel Gibson. Or with those two girls one cup that mimic the Jerusalem Delivered by Tasso between sphincter and sewers in dejection.

or against the 5 elements which this year won the award for best spot on road safety. Or against the first experiences borderline Cone scioglicerume full uterus.

But I will not tolerate those who use the defonseca by sea, in the shower.

Sunday, November 14, 2010

Breafast Cereal Market Share

The Festival of the lack of ideas


(photo: an alternative to global warming, the Nissan Micra)

I went to the festival of documentary cinema Aquila. Those evenings with people who have rough familiarity with the alphabet, other victims of disregard, and others, the less attezzose, think of Emily Dickinson for having translated the meridians Mondadori in my spare time all'ovviesse escalators.

I went to the festival night, as never very attached to my Apulian dialect, as when you leave a concert of the south sound system. The problem is that I have never been in Apulia and the reggae music consider paranoid-mystifying equal to the demands of home pound on Pasolini, Che Guevara and the case chumps.

Listening to questions from the audience to the director, Salvatore Mereu, is how to use the deodorant stick of lip gloss as Mengele. Some make references to De Seta, others criticize the lack of Italian mothers, encourage other shots from the back of the buildings. It 's all a petting cineforum by the Red Brigades Joint Marino wing of the Democratic Party.

What is most appalling is that if you inform the body of the calf was slaughtered according to its practice Islamic halal or kosher Jew, which is always terrible bleeding, do not the'd never see a woman as menstrual ground cover micra of oil after the second slow-off traffic. The only fault of the beasts is not to have cotton navel as each of us higher primates. If I go away

scotomized the usual self-autonomy of the working of the "sugar beet". Rest. The constraints are nothing Nevermind, Sid Vicious forced to live in Isernia, much less in comparison. But now I should ask a question.

are undecided whether to return home to whip the girl of my clitoris after thoroughly with soap and sharp ruotapiombata to the exercise bike. Or do 'is fucking question.

I raise my hand, I take breath, Mereu pass me the microphone from the room "I understand that to avoid some of the smudge of lipstick is a fork of the only places really to their scope, asking not to impose on others in great detail the sequence of your systematic failure, riservateli for Caf UIL.

Friday, November 12, 2010

Prize Do Coca Cola Brazil

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Tuesday, November 9, 2010

Hill-rom Versacare Bed






Federico Ferrari Comelli

by


at ELITE SUNDAY PARK


Milan - November 7, 2010


Biography of today devotes its major efforts to develop the artistic side: his interest is centered around the deconstruction and reconstruction of the perspective of people with different photographic techniques. The result is stamped on methacrylate of varying thickness where playing with light, can resolve objects, dismembered by their strength, generating a spectrum of colors and figurative considerable dynamism and delicacy. Do not underestimate the research of American myths that with this technique, are full of new charms. So Porta Genova unfolds in a logical sequence of Metal and transport while the 'Audrey Hepburn is lively with new colors and angles, enhanced with a new refreshing crispness. (James Momo Gallina)

Comelli Federico Ferrari was born in Brescia in 1980, he combined his artistic studies in the scientific, medical school after school of art and, in parallel, has furthered his love of photography Ken Damy Institute. In 2005 he moved to Milan, he worked as a freelance photographer and never miss the stimulation of research and passion for new experiences, his curiosity led him to deal with diverse themes and genres, passing shots from fashion to reportage, publicity photos , steel life with an eye to the artistic field. We can find in her closet cameras with very different characteristics between them, a Hasselblad with a lomo, from analog to digital machines. Nikon still has its first bought 15 years ago, his dark room is ready for action even if the new projects are implemented with digital techniques. From 2007 to

Altered
alteration is a group of design and dissemination of contemporary languages.
The intention is to work with artists and actually moving outside of the great art circuit, with proposals for breaking research and complaint.
Open to all forms of contamination, investigate and try to collect new artistic figures, in order to alter the sensitivity and the critical rebuild.

altered and a reflection on the continuous progress / regress of cultural offerings that surround us, capturing new ideas and proposals that arise in the area.

Teatro Franco Parenti
Via Pier Lombardo, 14

Milan, 20135
12.00 - 24.00 Free admission